Donnie Darko

Donnie Darko

By Richard Kelly

It had been a cou­ple of years since I’d watched the Director’s Cut of Don­nie Darko, and I’ve got to say, this is still one of the best films for it’s genre that I’ve ever seen. I think what makes this film so suc­cess­ful is that it isn’t try­ing to be any­thing out­side it’s own uni­verse. The rules it fol­lows are it’s own and won­der­ful. It’s part sci-fi, part indie love story, part psy­cho­log­i­cal sus­pense, while still being some­thing that’s none of those things. For a debut film, it holds up very well with only a few small crit­i­cisms I can think of. After first see­ing this film in 2003, I’ve come back to it sev­eral times and been sur­prised with the fact that I can find some­thing new or inter­est­ing in in every time. Now South­land Tales, the ‘other’ Richard Kelly film is a whole dif­fer­ent situation…

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